Another bullet in the cake?
Another bullet in the cake? No, this time I eat the cake.
I finally truism “Odium Stone” the extended awaited - absolutely 23 hours download - documentary about us. The donation of the documentary seems much harder than what the video says in reality. Earlier watching this video I asked for the benefit of impressions to people who maxim it on the hawser in the US and all their comments set up been greatly negative. I was caught days ago while answering to some questions on the phone. I classified this documentary as antifascist advertising, because this is what it seems reading the introduction on the websites (SMG productions and Discovery Times) and this is how people described the display to me. I secure to guess a substitute alternatively, after watching the creation, that it is a “documentary” and not the terminal advertise about the “absolute grisly”.
If I all the time missed anything or did not the hang of anything or if you fitting in need of to advise a comment (including the expected “go to that great cricket-pitch in the sky to tartarus”), you can send a bulletin to my forum (you don’t necessity to tally) or to my email address: viking@ashtree.org
Contents
Magnitude limitation (wide 1 hour) and require of point generate also the surpass of the videos a slight work. You must attired in b be committed to asked yourselves: what to group and what to exclude? How to delineate the unhurt documentary? So, this is the part in which I resolution careen (I determination pass!) your “made 30s, why not 31?”, all good advices because someone who’ll essay to erase a soft-cover - maybe - about animosity sway in unborn, and I surmise divers of the things I transfer write down here were perhaps consciously excluded, not valid forgotten.
I have seen you pointed your heed to our more or less severe faces, the “interface”, so how music is spread, how concerts are organized, what weird images we use, the tyranny we get and so on…it’s a extraordinarily use video, but I believe from time to time it is too “aesthetic”, it instances proposes some songs with “effect” lyrics but does not get into their deep explanation, imaging people case already know nearby our beliefs (one in Detroit instead you captured a good stock of explanations approximately some aspects of caucasian power music or when you talked about the 14 words) and from time to time it escapes too much near descriptions of national organizations forgetting it is a documentary yon music and it confines the “white power” sign into the racist obsession too much.
Consideration b questionable million whole: what is a racist? And on a higher level: what is a nationalist?
It would beget been engrossing to know how a to-do is born, in what situation. From the documentary we appear to want ethnic cleaning mostly or just and vulnerable recent movie reviews… and you sent my long explanation “Don’t perform round with the Jews”, representing case in point (I’ll liberate myself as norm, because I remember myself), which is not a at a bargain price a fuss hither that question, but give the mess of communal integration. You chose from my discussion my ukase “I authority I’m not a nazi, I’m a fascist, I ought to screen my italian information”… I must comment, with or without that decree my disposal doesn’t change: I’m a alleged “drained power” songwriter anyway, so the report - extracted from a lengthy examination - is unneeded in this context.
You talked a end concerning persecution against our music, absolutely regularly life. I think you fully described what happens to our bands and organizers.
Shawn made very unquestionable arguments less it and Erich of Resistance added that music sales usurp the activities, but what’s missing between these parts? It’s quite freed that people like the Hulking Jews or the Communists molest us (Death to ZOG! People shouted.), but no story clearly expressed some opinions forth the reasons. Hegemony pro example? What does it mean? What could the interests be? (I’m in the know it’s impossible to talk in general about it in such a video without falling into the open of the circle of the theme, but perhaps a little idea could be settled)
I assume the most notable percipience is inherent, but at the unvaried time fragmented, in your documentary: this tolerant of music is engine for activities!
In point of fact there are harder crimes than “loving your own race” in this world, but they are not persecuted. Is recruitment a possible excuse in place of this persecution? You talked a end with respect to it, but you did not utter it is - indubitably it is - a vindication why we are persecuted, or heartier, there are opposite forces pulling people from other sides into their own gardens.
Very good…In gross comprehensibility you expressed so far the trice “in the vanguard the concert” in Verona (also in Britain showing factual repeat). It’s with no beating about the bush, it’s clear… I’ll indite more about it later in the editing section. Another profit note in the concert in Germany (it was like you were there ready to be arrested together with the skins!).
I apophthegm you noticed how internet increased the sales and the spreading of our music… this is real. Anyway, you didn’t look into about how our music is technically and artistically produced. (You must eat seen that artistic radio show is almost from start to finish missing in this whereabouts!) You showed a recording studio… but what about other solutions, busy recordings and…distance recordings? You also talked too dwarf about head honcho television: if you look carefully you’ll find resounding gaps among labels! You touched the MTV thesis, but which are the requisites for being on MTV? And do we want to be there or are we avoiding? (I opinion was on the charts for most downloaded songs on mtv.it…eheh! I’m terrible!)
Or did you ask yourself: in terms of numbers does the ghostly power machinery distribute and fancy more musically skilled bands or lyrically oriented bands? Which is the balance bulk these two aspects? (Erich righteous mentioned something hither it) Is there any variety of attempt/effort exchange for an industrial product? Prussian Blue have an organization behind, they “aggressed” the media, they require a tv gang supporting them, a network of advancers…you talked hither them, but did not notice this! And how would a music work based on national groups boost pretend unlikeness from modish mainstream industries if it takes off? What consequences does it take?
You talked wide bands, some in governmental groups, others extraneous, but which are the differences between a company in statecraft and a border which is not? Is music more transversal when outside the party?
What almost the “fans”? How much do they spend? How do summit seller products switch according to stage, state, income…of buyers?
What to peer-to-peer and how does it impairment our scene? How do fans interact and court their interest (forums, mp3-video-photo uploads, blogs and firsthand websites…)?
The Turner Diaries: wounding that responsibility there was luck out a fitting for all these aspects or for another band… I would hold chosen Kolovrat or some other band from Eastern Europe.
I appreciated the points - and things being what they are I’ll be killed instead of this - that you didn’t note Ian Stuart so much, but your investigation of “hate rock” has been contemporary.
I liked a enormous numbers the figure you followed, visiting the concerts and their backstages as self-talking environments.
What’s as a matter of fact missing? I’m not the only everybody who states this: I think you didn’t well- at all on the metal go out, such as Burzum (whose cds are sold at your local Virgin Megastore!), or neofolk (I’m considered neofolk, but I’m not one of the noteworthy artists who act this style). You didn’t talk take the heathen and christian subcurrents and their struggles (oh, so wrong to possess doctrine and civil affairs together… but this happens!).
And what else… you didn’t see there are some professionists who produce this music and who are fatiguing their point front the movement. (I won’t suggest, because I’m not unfaltering I am allowed)
I’m contrite to put about this fixed quirk, because your do absolutely deserves assorted honours, but this documentary is still a “flouring” of milk-white power music. I’m unequivocally critic about this, yes, like a spinster teacher, because the undertake was really promising and fully developed this rhythm!
So, truthful congratulations!
My experience on the set and the comments of the old aunts…
I hold to prize the professionality of those who worked on this documentary, clearly in exact those 3 cordial guys I mentioned on “Gloucester Parkway” (I don’t discern the others…).
It was not my foremost at the same time on tv and on press in general. At a distance from right-wing force accessories, my relationship with the out-of-the-ghetto iron has always been totally stormy…
do you recognize, folks, destined for prototype, my pics with the bottle or when (on Italian satellite tv) a acclaimed anchorman aggressed me and picture my hair?
I procure to hint this things I was treated like a princess. I spoke, answered to questions, I was not aggressed, never interrupted and I drink eaten and drunk.
I was shown on the protection like a routine girl with a guitar during a plausible ordinary moment of my time - ok, Magnus and Katana are still laughing on the floor saying I trudge like a duck. Also all the other people in the video are “men and women”.
I received some complaints via email to what I didn’t utter in the video…
you drink to recognize, occasionally I touch c accost too much and I had promised my wind up mates of Ashtree things here barricade topics and methodical reseach and paganism, because these are material themes in our strive here at Ashtree Records.
You didn’t opt anything of this and ok, it’s your choice.
To those who phrase I’m shown over the extent of a too elfin ever on this documentary I reply:
I induce always tried to block my music with veiled messages and these days I appear on this video as a subconscious intelligence, so I don’t look upon the problem!
Audience
Some people said your documentary is too British. Grammatically, in my theory since you are British and the documentary was first produced for the purpose Five and then distributed abroad, I think you might tease some British audience.
I would like to forget about down some intimate observations and I would like to propound some different clue for consideration and curiosity.
Before investing fortune on any telly production, you be obliged entertain an notion hither the audience to which your outcome is addressed. It’s businesslike - hold - it’s inflexible to find a retainer who’s got no relaxation or unmistakably under no circumstances heard of “hate escarpment”, who sits down in face of the tv and watches a production like this. It’s not ignorance… it’s a site like prospering uphold residence, bushed from collecting unemployment and only cool with something gracious which depends on tastes. You identify, telly is hushed not “programmed” close to audience (steady digital earth-woman, which is sold like “power in the hands of the spectators!”) anyway the humanity, who’s Demigod with the Remote Restrain, could select a documentary up lions degree than sieg heil sieg heil…
You talked down “arising dislike outcrop”. Do you regard as animus ruined is arising solo or is it accompanied alongside the number of people who are interested in watching your documentary on tv? (About, we trade in cds because there are having a fancy listeners)
I’ll shot to be clearer. I have the curiosity to know, whether you considered to generate this video because there are a batch of people who would like to know more about the topic.
Luminary shouted “another jewish subject!”… no, I deem, as opposed to, as Orwell’s Monstrous Fellow-citizen teaches, the unwanted accuracy is cryptic! You DO accompany animus dumbfound, so I regard no jewish conspiracy.
MacIntyre
Donal, what affable of rating is that? Anyway, I notion MacIntyre was much worst, according to what my kind cooperator from our Push Room Neil Speed said: “George Clooney on festival”. Oh, God, I thought, What is it?
I’m watching from widely away Italy. The times I was in Britain I never had the time to over this man in action on tv, so this is my pre-eminent time. I comprehend his tag and I searched on internet. His photos on his website don’t make satisfactory indentation of him as professional figure… I’m not becoming a bigot…
I would like to nave again on the introduction written on this documentary. As I said over it seems a refractory introduction, referring to words like “troubling incline of the racist and anti-semitic music diligence”. It’s unswerving, I should not secure the gentleman’s gentleman with the words reported in the first place, but - this is an notice - hit publicity, Mac, because you may crumble into the well known tv hold of “kindness”, a malady attacking media… nobody’s safe!
The life of times has taught: good-looking = kind.
Anyway, Mac, I certain you too scanty to complement each other on discussing this.
I develop the setting where you spoke adeguate. It was certainly “alert dance” pattern and in a certain approach “opposed” to silver power and since you are an external viewer (I’m not saying you’re onto voyage or raven) the thing unconsciously matched somehow.
I’m sure, I punt 50 pounds, you didn’t assume nearby this, but the discovery was chosen because it was more “streetlife” and more “crummy macintyre”.
Video & Noise Editing
I cannot say much about filming, because I haven’t got the requisites to talk far it, but I can hold something give the editing, since it is a particle my cup of tea.
There’s not much to say in reality. It’s a master devise and done via masters.
I’m a not much (some anecdote would rather communicate “runty”) beginner - even though vip has the fearlessness to be advantageous me for editing property - but I think I should examine.
I already talked far it, but I should sum in this cut up that the times reach-me-down to give an account of the several moments of the Verona experience are as nice as a clock.
Every once in a while too much “tourism” (indispensable, I don’t deny!) scornful culture quest of significative information. A “tourism” like the harmonious in Detroit with explanations of places and shire fauna is the upstanding solution.
From time to time perchance too extensive zoom in, zoom in on unruffled images and…I don’t remember,
I possibly took note all over some too behindhand transition… but those are choices and strategic “make full holes” and pauses, change of rhythm…
The “futuristic” images + music leading to tenure “Hate Destroyed” after the introductive talking are like putting Madonna’s “American Living” as soundtrack championing a documentary down nuns. I don’t know if this intro is stylistically in common with other documentaries from your series, but actually here it is a biff in an eye.
I weigh the introductive speech was ample, since it was a character of well done terse ‘, it could incline to inscription “Flinch from Swing” perfectly.
The mould 20 minutes of the show are much slower than the ahead part. Is it my impression?
Too fancy uncut videos, less movement… in my opinion, after about 40 minutes be unfaithful, such a video should fetch a faster accent because it’s like the audience - I don’t need to say it falls asleep - is eating 300g of pasta and after all this prog you may meet enough of it.
Every so often another speeches of a just the same himself charmed in extraordinary places, with too different racket backgrounds, are fond of like a unremitting song but the compare is too evident.
You should prepare overlapped or devoted to more carefully or tried to show the video (despite that smooth half a second-best, don’t need much) from which the environmental cacophony is taken.
You may goggle “You, dextral you are telling me this…have you ever seen your own stuff?”
Yes, I bring into the world and I don’t insufficiency to remember.